VOCAL SKILLS 3 - 2017/8
Module code: ACT2016
Guildford School of Acting
PALMER CA Miss (GSA)
Number of Credits
FHEQ Level 5
Module cap (Maximum number of students)
Overall student workload
Independent Study Hours: 78
|Assessment type||Unit of assessment||Weighting|
|Practical based assessment||POETRY (HOPKINS)||50|
|Practical based assessment||SATIRICAL PROSE||50|
Prerequisites / Co-requisites
Completion of Level 4 modules Vocal Skills 1 and 2.
In this module the work continues from Level 4 and explores form, function and theatrical conventions. This module is designed to appreciate and explore the vocal and physical demands placed on the performer in any given space. It is founded upon a commitment to the integration of the physical and vocal techniques necessary for work in the theatre and for recorded media. Texts tackled are poetry and contemporary monologues. Students are required to explore the emotional, physical and vocal responses to text, expressing a delivery that brings together a sense of truth and appropriate technical skills.
Develop a secure, systematic and healthy personal technique in voice.
Enable the student to produce a variety of accents and speech qualities, applying them to character.
Increase knowledge of dramatic texts which are more complex and vocally demanding in nature.
Develop the ability to project the voice safely and effectively in a range of performance spaces.
|Further engage in the process of working on Optimum Vocal Function (OVF)|
|Present and create a character from a 17th century perspective.|
|Perceive and produce the speech qualities for accent presentation.|
|Project the voice safely and effectively in a range of performance environments.|
C - Cognitive/analytical
K - Subject knowledge
T - Transferable skills
P - Professional/Practical skills
Indicative content includes:
Voice is delivered via three separate classes: Primitive Voice, Voice & Text and Speech & Accent and also through voice support in workshops.
The visceral verses the cerebral qualities of language, as exemplified in the work of writers such as the poet Hopkins and 17th and 18th century writers such as Pope, Swift, and Smart, are explored.
Skills levels are enhanced by developing and modifying them to satisfy the demands of each of the periods, forms and conventions.
A deeper understanding of accent consistency within a more complex heightened text is explored and presented.
Primitive Voice continues to further develop and enhance the students understanding of grounding centring and alignment explored in level 1.
Voice & Text explores the works of 17th and 18th century writers such as Pope, Swift and Smart and the Restoration period, working on wit and word play that characterised so many plays of that period. Muscular dexterity and dynamic articulation underpins this work.
Of equal importance are the works of the poet Gerard Manley Hopkins and his use of alliteration, euphony, assonance and onomatopoeia and is a particularly good vehicle for developing the emotional and imaginative muscles that complement the physiological musculature of the voice.
Speech & Accent further develops the knowledge built upon in Level 1, working on heightened text in an accent or speech quality such as change of gender in order to enhance the students’ capacity for vocal variety.
Methods of Teaching / Learning
The learning and teaching strategy is designed to:
Prepare the actor to develop research and understanding in order to adopt accent and character work.
The learning and teaching methods include:
Seminars and lectures.
4.5 hours teaching for 13 weeks.
Assessment and feedback.
Reading list for VOCAL SKILLS 3 : http://aspire.surrey.ac.uk/modules/act2016
Programmes this module appears in
|Acting BA (Hons)||1||Compulsory||A weighted aggregate mark of 40% is required to pass the module|
Please note that the information detailed within this record is accurate at the time of publishing and may be subject to change. This record contains information for the most up to date version of the programme / module for the 2017/8 academic year.